Paul Blake: "Koona t'chuta, Solo?” as Told by Greedo, Himself
Brightly lit, well-organized and clean, Madness Comics in Plano, Texas doesn’t look a lot like Wuher’s Cantina. But, on a hot summer night in June, some of the patronage was similar. Thanks to our friends at Galactic Productions, we were able to catch up with one of the most infamous customers who ever entered the Mos Eisley watering hole: Paul Blake, who played everyone’s favorite Rodian, Greedo.
During our brief conversation (which was recorded, but rendered unusable for Talking Bay 94 because of some … passionate screams from the players of a Board Game Night occurring in the same area), we covered it all: Mr. Blake’s start as an actor, his adventures at Elstree during the filming of the original Star Wars and the experiences he has had since.
This interview has been edited for clarity and brevity.
Talking Bay 94: Mr. Blake, thank you so much for taking the time with us today. It is a real thrill. Before we dive into your time in the Star Wars universe, let’s go back to the very beginning: what inspired you to explore acting?
Paul Blake: Well the need for cash, of course. From the 1970’s onward, it was always just the need to eat. I got very lucky … I initially just wanted to meet girls! It was the reason I got into it in the first place. I gravitated to England and the UK, when people came from everywhere to make music and do theatre. I was very much getting into that scene.
So, I went to University and learned drama, just like my dad. And then I got into it bad. With two of my friends, they gave me the thirst.
And then I went to London: I got a job in a touring theatre company and we want all over the city. It was actually just a tent that we put up before the shows. We would get audiences of all types: people who came in to yell at you, as well as the top critics of the day. It was great practice and learning.
There were no movies really being produced, besides at Pinewood, Elstree and some of the TV studios. But, really, there were just the stars of the day and then … everything else was just scraps. Really, there was just the movies in the States and that was it.
But then George came to England.
Talking Bay 94: So, let’s talk about Elstree … let’s talk about 1976. How did you get involved with George and with the production?
Paul Blake: Again, I was lucky. I was working with Anthony Daniels on a children’s TV series on the BBC. We had just finished a Christmas special and he actually rung me up one night and said, “I’ve been working on something and it’s looking for actors … cheap!” He wanted to know if I wanted to come in and check it out.
So I came in, met George and then a month later, I was back at Elstree getting a lifecast made and I got the job.
Talking Bay 94: Putting on that lifecast must not have been the most fun thing in the world. What was the process of getting the costume and seeing yourself as Greedo for the first time?
Paul Blake: I remember sitting in a chair for an hour and getting plaster of Paris in every hole of me face, as well as a gel that protects your entire face. But, I really don’t remember too much about the actual day. People tell me all about it. They come up to me and say “I was there!”
You must remember, we all just thought it was another job. We thought it was going to be a disaster! And then two years or a year later, we figured out that this little film might have a future!
Talking Bay 94: What was the process of getting into character as Greedo? How was his story set up to you?
Paul Blake: The full script was actually sent to me. I was actually very lucky that I got all the pages, not just my lines. I showed it to my girlfriend (now wife) at the time and she looked it through and was like, “Where are you?”
And I was like, “Oh, you know, a couple things here or there.”
When she finally found it, she was said, “Oh, this is actually good! It’s like a little cowboy scene. A shoot-out at the OK Corral”
Then I remember turning up at the first day of shooting. There was a little mock-up of the Millennium Falcon’s gun towers, which was fun to play with, much to the annoyance of the crew. It seemed very intense, compared to other productions. Everyone seemed to know what they were doing.
Talking Bay 94: Harrison Ford was your scene partner. What was it like working so closely with him at such an early stage of his career?
Paul Blake: The mask finished at my neck, so we could take it off between takes. I don’t speak much Huttese (I do now!) but we were able to practice all our lines in English with the mask off. But, yeah, he was charming. I would like to say he was a bastard, but he wasn’t! He was very charming but very serious … he was very young. And this was his first starring role. So he was very determined to do it right.
But I think it worked out for him! I much prefer the younger one now though!
Talking Bay 94: Did you see Solo yet?
Paul Blake: I loved it! I thought it was great
Talking Bay 94: But, of course, what was the one thing it was missing?
Paul Blake: It needed Greedo!
But, now, think back to it … it set up Jabba! Everyone’s going off to Tatooine and, I’m sure, Greedo will be there to get shot yet again! He can never get away from being shot!
I mean, Greedo is famous on his own! He’s been in Family Guy and The Simpsons and Jay and Silent Bob. And he’s going to get shot every time! And there’s no escaping that! He must have missed close-range shooting day at bounty hunter school.
Talking Bay 94: You mentioned the staying power of Star Wars. What has it been like since 1976, with the other actors and the conventions and the fans?
Paul Blake: What has been nice is getting to know the actors who were not on set at the same time!
I, for instance, did not get to meet Carrie on set, as she had left already. But I got to know her at conventions and got to know the enigma that she is: wonderful and terrible and charming.
It has been delightful to meet the other actors who contributed to the movie. Sadly, so many people have passed on, but over the years … it became a very exclusive social club. There is no other film that I have ever done that has this staying power.
Talking Bay 94: It definitely does. Thank you for talking with us!
Again, we would like to thank Mr. Blake for taking the time and sitting down with us! And, as always, a very special thanks to Zach at Galactic Productions for setting this up.
Alan Dean Foster: Writer of the First Star Wars Books Ever
In this episode we are kicking off our series focusing on the writers of the saga, by talking to Alan Dean Foster, the prolific author behind the very first Star Wars novel, as well as its classic follow-up, Splinter of the Mind’s Eye.
We go through his entire career, from first getting chosen to work on the earliest Expanded Universe works to returning to both the prequel and sequel trilogies. We even dive a little bit into one of his most-heralded works: the novelization for Alien.
For more information and updates about Mr. Foster’s latest projects and books, as well as the Episode 9 treatment we discussed, visit: AlanDeanFoster.com.
Garrick Hagon: Biggs Darklighter, Luke's Best Friend, in A New Hope
We wanted to release a fun bonus episode today, featuring our quick interview with a true Star Wars legend: Garrick Hagon. Playing Biggs Darklighter in the original movie, Mr. Hagon talks all about the famous Tunisia set, as well his first impressions of George Lucas and the Star Wars universe.
Also included in our conversation: his first time working with Sir Alex Guinness, as well as the camaraderie and friendships forged on the set of a galaxy far, far away.
For more information and updates about Mr. Hagon’s next appearances, check out GalacticProductionsEvents.com or their Facebook page: https://www.facebook.com/GalacticProds/
And, as mentioned at the end of the episode, we want to extend a very special thanks to Zachery McGinnis for helping put this interview together for us! It is much appreciated and, as evident in the episode, a real dream come true for me. (It’s Biggs!)
Dave and Lou Elsey: Revenge of the Sith's Makeup Effects Team
In this episode we are talking to Dave and Lou Elsey, the makeup effects team behind Revenge of the Sith, whose work was nominated for an Academy Award.
The Elsey’s talk about everything: from meeting Rick Baker to their early work on Farscape to, of course, getting the call from Rick McCallum to work on Episode 3. We go through it all: Palpatine’s transformation, Anakin’s burns and the reintroduction of Peter Mayhew as Chewbacca. We even get into the (in)famous Hyperspace Webcam and their Obi-Wan Kenobi mannequin.
For more information and updates about their latest project starring Rick Baker, with previous guest Don Bies, check out their website: KeeptheGaslightBurning.com.
And if you want to see some great gallery images of their incredible work, as well, head on over to their website, IgorStudios.com, for more.
Toby Philpott: Jabba the Hutt's Left Hand Man, Learning from Jim Henson
In this episode we are talking to Toby Philpott, one of the puppeteers for Jabba the Hutt in Return of the Jedi.
Mr. Philpott is full of incredible stories from Elstree Studios, including working with the rest of the Jabba team, as well as Carrie Fisher, Richard Marquand and more. From his early days working literally under Jim Henson’s wing to later work on Who Framed Roger Rabbit?, Labyrinth and Little Shop of Horrors, we really dive into his fascinating career.
For more information and updates about Mr. Philpott’s upcoming appearances, check out his website (https://sites.google.com/site/jabbahutt2/home) or follow him on Twitter (https://twitter.com/tobyjabba).
J.W. Rinzler: Star Wars Historian and New York Times Bestselling Author
Today’s episode features a conversation with the great J.W. Rinzler, the author of countless Star Wars behind-the-scenes books (my favorites) and one of the key voices for the galaxy for a long, long time.
We talk all about his start at Lucasfilm, working with Rick McCallum and (very closely) George Lucas. We also dive into George’s later focuses and the importance of the prequels and Brandon reveals his 1999 Halloween costume.
The Enhanced Editions of his Making of trilogy can be found on iBooks and on Amazon and are seriously worth the $17.99: www.amazon.com/Making-Star-Wars-Enhanced-ebook/dp/B00DQQSD2W
We also discussed a few of his latest projects, including All Up, a fascinating look at the space program and its history: https://www.amazon.com/All-Up-J-W-Rinzler
Busy as ever, Mr. Rinzler’s next book will be The Making of Planet of the Apes, which could be a whole episode in itself and can be pre-ordered here: https://www.amazon.com/Making-Planet-Apes-Jonathan-Rinzler
For more news about the author, check out JWRinzler.com or follow them on Twitter: www.twitter.com/JWRinzler
Don Bies: The Man Behind Both Boba Fett and R2-D2
Today we’re talking to Don Bies, a man of many talents and one of the few to make an indelible mark on all of the original six Star Wars movies. Model maker, R2-D2 puppeteer and droid unit supervisor, Don has some great stories, ranging from the Japanese Panasonic commercials to (correctly) designing Darth Vader’s helmet in Revenge of the Sith.
From Boba Fett to original Biths (to Indiana Jones!), he’s played them all! We even delve a little bit into the great R2-D2: Beneath the Dome, a mockumentary, that you can watch online: https://www.starwars.com/video/beneath-the-dome-part-one
We also get into his latest project, Keep the Gaslight Burning, an awesome horror film that he produced, alongside some truly great Star Wars alums and talents. For more Gaslight news, check out KeeptheGaslightBurning.com or follow them on Twitter: www.twitter.com/GaslightGhost
Roger Christian: Academy Award-winning "Father of the Lightsaber"
In this episode, we take it back to the very beginning and talk to Academy Award winner Roger Christian, who was one of the first people ever to get hired onto Star Wars. We try not to freak out while talking about the origins of Blue Milk, C-3PO’s eyes, R2-D2 and, of course the original lightsaber.
Try to count how many times we use “incredible” during this interview, especially when we talk about Roger’s incredible book: Cinema Alchemist. Detailing his time on the Star Wars set, as well as Monty Python, Alien and more, it is truly an important book for any fan: www.amazon.com/Cinema-Alchemist-Designing-Star-Alien
For more information, as well as any updates about the documentary we talked about, check out Roger’s website: rogerchristian.ca
Gerald Home: Tessek (Squid Head) and a Mon Calamari Officer in Return of the Jedi
In the third part of our 35th Anniversary retrospective of Return of the Jedi, we interviewed fan favorite Gerald Home, who performed the parts of both Tessek in Jabba’s Palace and Captain Verrack, a Mon Calamari Officer of the Rebel Alliance. We not only talk about his time on the set (with his great rendition of “MANY BOTHANS DIED.”) but also talk about his time with fans and as a historian of Star Wars.
As mentioned in the interview several times, definitely check out Gerald’s in-depth look at the filming of Jedi, as featured on the Rebelscum forums: http://forum.rebelscum.com/showthread.php?t=1069050
And, if you want to get in touch with Gerald, you can reach him at his website: geraldhome.com
Stephen Costantino: Gamorrean Guard on Jabba's Sail Barge
This episode is the second part of our 35th Anniversary retrospective of Return of the Jedi. We talk to Stephen Costantino, who traveled to the Yuma desert with his bandmate Corey Dee Williams, thrown into what was then called Blue Harvest. We talk about his time on the set as a Gamorrean Guard, as well as his interactions with Peter Mayhew, Carrie Fisher and Kenny Baker.
Check out Stephen’s music (Gamorrean Sound), including the Stormtrooper-esque jam, GET EM ALL, that we talk about at the end of the episode, on his Soundcloud.
A special thanks to Coolwaters Productions for helping set this conversation up.